Saturday, March 14, 2026
*Heer Achhra Says Harbhajan Mann’s Humility Surprised Her on Set as ‘Eh Din Roz Ni Aune’ Wraps Shoot**
**Heer Achhra Says Harbhajan Mann’s Humility Surprised Her on Set as ‘Eh Din Roz Ni Aune’ Wraps Shoot**
Actor **Heer Achhra** has wrapped up shooting for the upcoming Punjabi film **Eh Din Roz Ni Aune**, which stars veteran singer-actor **Harbhajan Mann** alongside his son **Avkash Mann**. The film is also being produced by Harbhajan Mann and has already generated buzz among Punjabi cinema fans.
While the project earlier sparked curiosity when Harbhajan Mann invited fans on social media to suggest a title for the film, the makers have now officially announced the name *Eh Din Roz Ni Aune*.
Speaking about the experience of working on the film, Heer Achhra shared that she was initially a little nervous about sharing the screen with such an iconic personality.
*“Honestly, I was a little intimidated before meeting Harbhajan Mann sir because he’s such a legendary name in Punjabi cinema. But the moment I met him, I realised how incredibly humble he is. His warmth and encouragement on set really surprised me,”* Heer said.
She added, *“Working with someone who has contributed so much to Punjabi cinema was truly inspiring. His dedication and discipline made every day on set a learning experience.”*
With the shoot now wrapped, *Eh Din Roz Ni Aune* is expected to bring together emotion, music and powerful performances, making it one of the anticipated Punjabi releases to watch out for. ๐ฌ
Friday, March 13, 2026
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*เคชूเคฐ्เคต เคญाเคฐเคคीเคฏ เค्เคฐिเคेเคเคฐ เคเคाเคถ เคोเคชเคก़ा เคी เคเคชเคธ्เคฅिเคคि เคฎें เคुเคฐुเค्เคทेเคค्เคฐ เคฎें เคก्เคฐीเคฎ เคेเคจिเคธ เค्เคฐिเคेเค เคฒीเค (เคธीเคเคจ-1, เคจॉเคฐ्เคฅ เค़ोเคจ) เคी เค्เคฐैंเคก เคเคชเคจिंเค*
เคुเคฐुเค्เคทेเคค्เคฐ. เคुเคฐुเค्เคทेเคค्เคฐ เคฎें เค्เคฐिเคेเค เคช्เคฐेเคฎिเคฏों เคे เคฒिเค เคเค เคตिเคถेเคท เคเคฏोเคเคจ เคนोเคจे เคा เคฐเคนा เคนै। เคก्เคฐीเคฎ เคेเคจिเคธ เค्เคฐिเคेเค เคฒीเค (เคธीเคเคจ-1) เคจॉเคฐ्เคฅ เคोเคจ เคा เค्เคฐैंเคก เคฒॉเคจ्เค เคธเคฎाเคฐोเคน 12 เคฎाเคฐ्เค 2026 เคो เคตेเคा เคนोเคเคฒ เคी.เคी. เคฐोเคก, เคเคฎเคฐी, เคुเคฐुเค्เคทेเคค्เคฐ เคฎें เคเคฏोเคिเคค เคिเคฏा เคเคฏा। เคเคธ เคญเคต्เคฏ เคธเคฎाเคฐोเคน เคฎें เคฎुเค्เคฏ เค
เคคिเคฅि เคे เคฐूเคช เคฎें
เคช्เคฐเคธिเคฆ्เคง เค्เคฐिเคेเค เคเคฎेंเคेเคเคฐ เคเคตं เคชूเคฐ्เคต เคญाเคฐเคคीเคฏ เค्เคฐिเคेเคเคฐ เคเคाเคถ เคोเคชเคก़ा เคตिเคถेเคท เคฐूเคช เคธे เคเคชเคธ्เคฅिเคค เคฐเคนे। เคเคธ เคฒीเค เคे เคเคฏोเคเค เคนै เคธोเคฎเคจाเคฅ เคाเคฌा (เคेเคฏเคฐเคฎैเคจ), เคฐเคตि เคुเคฎाเคฐ เคाเคฌा, เคตिเคจเคฏ เคเคฎ्เคฌोเค, เคนเคฐिเคชुเคฐ (เคฏเคฎुเคจाเคจเคเคฐ).
เคเคธ เคฒीเค เคा เคเคฏोเคเคจ 16 เคूเคจ เคธे 21 เคूเคจ เคे เคฌीเค เคธเคฎाเคจा เคฌाเคนु (เคुเคฐुเค्เคทेเคค्เคฐ) เคฎें เคिเคฏा เคाเคเคा, เคिเคธเคฎें เคนเคฐिเคฏाเคฃा, เคชंเคाเคฌ, เคฐाเคเคธ्เคฅाเคจ เคเคฐ เคเคค्เคคเคฐ เคช्เคฐเคฆेเคถ เคे เคช्เคฐเคคिเคญाเคถाเคฒी เคिเคฒाเคก़ी เคญाเค เคฒेंเคे। เคเคฏोเคเคों เคा เคเคฆ्เคฆेเคถ्เคฏ เคเคธ เคฒीเค เคो เคจॉเคฐ्เคฅ เค़ोเคจ เคी เคเค เคช्เคฐเคฎुเค เคेเคจिเคธ เค्เคฐिเคेเค เคช्เคฐเคคिเคฏोเคिเคคा เคे เคฐूเคช เคฎें เคธ्เคฅाเคชिเคค เคเคฐเคจा เคนै।
เคฒीเค เคे เคชोเคธ्เคเคฐ เคเคฐ เคเคฐ्เคธी เคा เค
เคจाเคตเคฐเคฃ เคเคฐเคจे เคे เคฌाเคฆ เคเคाเคถ เคोเคชเคก़ा เคจे เคिเคฒाเคก़िเคฏों เคเคฐ เค्เคฐिเคेเค เคช्เคฐेเคฎिเคฏों เคे เคธाเคฅ เค
เคชเคจे เค
เคจुเคญเคต เคญी เคธाเคा เคिเค เคคเคฅा เคฒीเค เคे เคถुเคญाเคฐंเคญ เคी เคोเคทเคฃा เคी। เคเคจเคी เคเคชเคธ्เคฅिเคคि เคธे เคเคธ เคाเคฐ्เคฏเค्เคฐเคฎ เคा เคเคค्เคธाเคน เคเคฐ เคญी เคฌเคข़ เคเคฏा เคเคฐ เคฏुเคตा เคिเคฒाเคก़िเคฏों เคो เคช्เคฐेเคฐเคฃा เคฎिเคฒी।
เคเคฏोเคเคों เคा เคเคนเคจा เคนै เคि เคเคธ เคฒीเค เคे เคฎाเคง्เคฏเคฎ เคธे เคिเคฒाเคก़िเคฏों เคो เค
เคชเคจी เคช्เคฐเคคिเคญा เคฆिเคाเคจे เคा เคเค เค
เค्เคा เคฎंเค เคฎिเคฒेเคा เคคเคฅा เคेเคฒ เคे เคช्เคฐเคคि เคฏुเคตाเคं เคฎें เคเคค्เคธाเคน เคो เคญी เคฌเคข़ाเคตा เคฎिเคฒेเคा। เคก्เคฐीเคฎ เคेเคจिเคธ เค्เคฐिเคेเค เคฒीเค เคे เคฎाเคง्เคฏเคฎ เคธे เค्เคทेเคค्เคฐ เคฎें เคेเคฒ เคเคคिเคตिเคงिเคฏों เคो เคฌเคข़ाเคตा เคฆेเคจे เคเคฐ เค्เคฐिเคेเค เคช्เคฐेเคฎिเคฏों เคो เคฐोเคฎांเคเค เคฎुเคाเคฌเคฒे เคฆेเคเคจे เคा เค
เคตเคธเคฐ เคช्เคฐเคฆाเคจ เคเคฐเคจे เคा เคช्เคฐเคฏाเคธ เคिเคฏा เคा เคฐเคนा เคนै।
เคीเคซ เคेเคธ्เค เคเคाเคถ เคोเคชเคก़ा เคจे เคเคนा เคि เคिเคธी เคिเคฒाเคก़ी เคฎे เค
เคเคฐ เคนुเคจเคฐ เคนै เคคो เคเคธे เคเค เคฎंเค เคฎिเคฒेเคा. เคเคเคเคฒ เคेเคจिเคธ เค्เคฐिเคेเค เคो เคฒेเคเคฐ เคैเคธा เค्เคฐेเค เคเคฐ เคชैเคถเคจ เคฒोเคों เคฎें เคชाเคฏा เคा เคฐเคนा เคนै เคตो เคिเคธी เคธे เคुเคชा เคจเคนीं เคนै. เคเคธे เคฎे เคก्เคฐीเคฎ เคेเคจिเคธ เค्เคฐिเคेเค เคฒीเค เคा เคเคฏोเคเคจ เคฌเคนुเคค เคธे เคช्เคฐเคคिเคญाเคถाเคฒी เคिเคฒाเคก़ी เคा เคธเคชเคจा เคชूเคฐा เคเคฐเคจे เคตाเคฒा เคนै.
เคเคाเคถ เคोเคชเคก़ा เคจे เคเคนा เคि เค्เคฐिเคेเค เคฆेเคถ เคे
เคฆिเคฒों เคฎें เคฌเคธा เคนुเค เคนै เคเคฐ เคเคธी เคฒीเค เค्เคฐाเคฎीเคฃ เค्เคทेเคค्เคฐों เคे เคช्เคฐเคคिเคญाเคถाเคฒी
เคिเคฒाเคก़เคฏों เคो เคเคे เคฒाเคจे เคा เคเคค्เคคเคฎ เคฎंเค เคฎुเคนैเคฏा เคเคฐाเคคी เคนै। เคเคจ्เคนोंเคจे
เคฏुเคตा เคिเคฒाเคก़เคฏों เคธे เคेเคฒ เคे เคช्เคฐเคคि เคธเคฎเคฐ्เคชเคฃ, เค
เคจुเคถाเคธเคจ เคญाเคตเคจा เคो เคिंเคฆा เคฐเคเคจे เคी เค
เคชीเคฒ เคी.
เคเคธ เคฒीเค เคे เคेเคฏเคฐเคฎैเคจ
เคธोเคฎเคจाเคฅ เคाเคฌा เคจे เคเคนा เคि เคेเคจिเคธ เค्เคฐिเคेเค เคธ्เคชोเคฐ्เค्เคธ เคซेเคกเคฐेเคถเคจ เคธे เคฎाเคจ्เคฏเคคा เคช्เคฐाเคช्เคค เคฏเคน เคฒीเค เคेเคจिเคธ เค्เคฐिเคेเค เคธ्เคชोเคฐ्เค्เคธ
เคเคธोเคธिเคเคถเคจ เคนเคฐिเคฏाเคฃा เคे เคธเคนเคฏोเค เคธे เคเคฏोเคिเคค เคนो เคฐเคนी เคนै, เคเคฌเคि
เคธंเคाเคฒเคจ เค
เคฒ्เคीเคฎेเค เคเคตेंเค เคฎेเคเคฐ्เคธ เคเคฒเคเคฒเคชी เคฆ्เคตाเคฐा เคिเคฏा เคाเคเคा। เคฒीเค เคฎें เคुเคฒ 12 เคीเคฎें เคญाเค เคฒेंเคी. เคช्เคฐเคค्เคฏेเค เคीเคฎ เคฎें 11 เคिเคฒाเคก़ी เคนोंเคे. เคเค เคिเคฒाเคก़ी 35 เคตเคฐ्เคท เคธे เค
เคงिเค เคเคฏु เคा เคนो เคธเคเคคा เคนै।
เคฒीเค เคे เคซाเคंเคกเคฐ เคฐเคตि
เคुเคฎाเคฐ เคाเคฌा เคจे เคเคนा เคि เคฒीเค เคा เคเคฆ्เคฆेเคถ्เคฏ เคिเคฒाเคก़เคฏों เคो เคช्เคฐเคคिเคญा เคฆिเคाเคจे เคा เค
เคตเคธเคฐ เคฆेเคจा เคเคฐ เคฏुเคตाเคं เคฎें เคेเคฒ เคเคค्เคธाเคน เคฌเคข़ाเคจा เคนै। เคเคฏเคจ เคช्เคฐเค्เคฐिเคฏा 15 เค
เคช्เคฐैเคฒ เคธे เคฐाเคเคธ्เคฅाเคจ เคฎें เคถुเคฐू เคนोเคी। เคธเคฎाเคฐोเคน เคฎें เคเคाเคถ เคोเคชเคก़ा เคจे เค्เคฐिเคेเคเคฐों เคฐोเคนिเคค เคंเคกीเคเคข़िเคฏा, เคเคถु (เคฏเคฎुเคจाเคจเคเคฐ ), เค
เคฎเคจ เคฎांเคी, เคกैเคจी เคฎांเคกी เคเคฐ เคช्เคฐिंเคธ เคंเคฌोเค เคो เคฎोเคฎेंเคो เคฆेเคเคฐ เคธเคฎ्เคฎाเคจिเคค เคिเคฏा।
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Mannan Shaah’s Soundtrack for 'The Kerala Story 2' Wins Hearts Amid Box Office Success
Riding high on the blockbuster box office success of The Kerala Story 2, the film’s music album has also struck a powerful chord with audiences. Composed by acclaimed music director Mannan Shaah, the soundtrack featuring four songs has quickly gained popularity for its deeply rooted melodies and emotional intensity. Adding another milestone to his career, Mannan has not only composed the film’s music but has also crafted the background score, marking his debut as a background score composer, while also lending his voice to the devotional track ‘Shiv Shambho’. As the film continues to receive an overwhelming response, the album too is emerging as a standout musical highlight, captivating audiences nationwide, dominating music charts across various platforms, and resonating strongly with listeners for its blend of devotional, folk, and emotionally driven compositions.
The album features four distinct songs, each reflecting a different emotional layer of the film’s narrative. ‘Saathi Re’, sung by Vishal Mishra, brings a rugged texture and ominous tone that aligns with the film’s darker undertones. ‘O Maayi Ri’, sung by Shreya Ghoshal, is an emotionally charged composition rooted in a poignant mother-daughter sentiment, delivered with a melancholic depth that enhances the film’s dramatic arc. ‘Thaari Jogan’, a Rajasthani folk-inspired devotional number sung by debutant Shaoni, adds an earthy authenticity with its folk-toned vocals. Rounding off the album is the powerful devotional track ‘Shiv Shambho’, composed and sung by Mannan Shaah himself, which unfolds during the film’s crucial climax and has already emerged as a major audience favourite. The film’s music stays deeply rooted in Indian classical and semi-classical traditions, with raag-based melodies and folk influences forming the core of the soundtrack’s sonic identity.
After the humongous commercial success of the album and his collaboration with the film, Mannan Shaah shared fondly, “I was approached by my producer Vipul Amrutlal Shah, with whom I have previously worked on the entire Commando franchise as well as Namaste England. When the opportunity to compose for The Kerala Story 2 came along, I knew I didn’t want to miss it. What made the journey even more special was working with director Kamakhya Narayan Singh, who has a tremendous understanding of music, melody, and Indian classical traditions, and who gave me the freedom to push the envelope with both the album and the background score. I had the opportunity to compose four songs for the film, along with the background score, and even sing one of the most crucial tracks of the film, which plays during the climax. Witnessing the audience reaction in theatres with chants, cheers, and whistles, was an overwhelming experience.”
Reflecting on the musical journey and audience response, he added, “The brief for the film was to keep the music rooted in Indian culture and melodies, whether through the songs or the background score. Working with artists like Shreya Ghoshal, Vishal Mishra, and Shaoni was an incredible experience, and collaborating with such talented singers made the entire process creatively and artistically fulfilling. I have also worked with Shreya earlier for my independent music label, and she continues to dominate the music industry with her extraordinary voice. This was also my first collaboration with veteran lyricist Manoj Muntashir, whose evocative writing beautifully deepened the emotional fabric of the compositions. Since this was also my debut as a background score composer, developing themes for multiple characters and tying together parallel narratives within a short timeline was a challenging but incredibly rewarding experience. Being part of a project that is continuously breaking records fills my heart with warmth and gratitude for all the appreciation the songs have received.”
Mannan Shaah has previously composed music for films, including the Commando franchise and Namaste England, in collaboration with producer Vipul Shah. Beyond film music, he has also produced the Marathi film 'Roop Nagar Ke Cheetey', which premiered across multiple international film festivals and received critical acclaim. Mannan Shaah has also recently co-founded the artist-first music streaming platform and label, 'Goongoonalo', along with legendary artists Shankar Mahadevan and Javed Akhtar. The platform has emerged as a significant initiative aimed at empowering musicians and giving them complete creative ownership of their work. As part of this initiative, Mannan is also set to release his independent single 'Silsiley' on the platform, further strengthening his presence in the evolving independent music space. He is also actively involved in philanthropic initiatives through the Unirise Research Foundation, where he works with special education schools to nurture and support musical talent among persons with disabilities, reflecting his commitment to using music as a tool for empowerment and community building. With The Kerala Story 2, now playing in theatres, he once again demonstrates his versatility as a composer, crafting a powerful musical backdrop that enhances the film’s intensity while giving it a distinct sonic identity.
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Akshay Kumar Puts Karan Wahi on the Spot With Marriage Questions on Wheel of Fortune
16th March 2026, Mumbai: Wheel of Fortune saw contestants Maniesh Paul , Karan Wahi and Iqbal Khan join host Akshay Kumar on the show. Along with the excitement of the game, their lively interactions and humorous exchanges added an extra dose of entertainment for the audience.
Before the game proceeded to the Double Dhamaka round, Akshay Kumar turned to Karan Wahi and asked, “tu party karta hai?” Karan replied that he does sometimes. Akshay then continued jokingly, “kitni baar din mein karta hai? Matlab main teko puch raha hoon, shaadi kab karega aur party kab dega?” Karan laughed and said he would do it, but only after his friend gets married first.
Akshay then asked if there was someone special in his life. Karan shared a funny story about trying to impress a girl using a pick-up line that unfortunately didn’t work. The line was, “Samosa ke saath milti hai chutney, will you be my patni?”
Karan revealed that the pick-up line was actually suggested by Maniesh Paul and jokingly blamed him for the rejection. Akshay quickly added, “Waise main maan sakta hoon ki itni ghatiya line toh Maniesh hi de sakta hai.”
Akshay then asked the audience who believed that the line was indeed given by Maniesh, and almost everyone in the audience raised their hands in agreement. Continuing the fun, Akshay asked the audience, “Aap logon ne iski film dekhi hai, ‘Mickey Virus’?” He mentioned that he still remembers a pick-up line from the film that Maniesh considered romantic. Akshay then recited the line, “Meri kismat se tu mujhe mili miss, mutual funds are subject to market risk.” The line had everyone in the audience laughing.
The fun didn’t stop there. Akshay then asked Karan, “Hum tere liye koi ladki dekhe?” and turned to the audience asking if anyone would like to marry Karan. A girl in the audience named Hitanshi stood up and said that she has a huge crush on Karan Wahi and would do anything for him.
Akshay then challenged her to drink a giant glass of ‘ganne ka juice’ in one go, saying that if she completed the challenge, Karan would have to go shirtless. Hitanshi accepted the challenge and successfully finished the entire glass in one go, earning loud cheers from the audience.
As the challenge was completed, Akshay asked Karan to take off his shirt. Karan, feeling shy, tried to avoid it and said that instead he would give Hitanshi a hug. However, Akshay kept insisting, after which Karan finally gave a quick peek of his abs.
In the end, Hitanshi happily agreed to the hug instead, and Karan walked up to her and gave her a warm hug, making a memorable highlight of the episode.
Moments like these added to the lively atmosphere of the episode, blending humor, spontaneity, and audience participation. With Akshay Kumar’s quick wit and the contestants’ spirited responses, the episode delivered an engaging mix of entertainment and fun.
Watch Wheel of Fortune, Monday to Friday at 9 PM only on Sony Entertainment Television and stream on Sony LIV.
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*Akshay Kumar Puts Karan Wahi on the Spot With Marriage Questions on Wheel of Fortune*
*XX March 2026, Mumbai:* *Wheel of Fortune* saw contestants *Maniesh Paul* , *Karan Wahi* and *Iqbal Khan* join host *Akshay Kumar* on the show. Along with the excitement of the game, their lively interactions and humorous exchanges added an extra dose of entertainment for the audience.
Before the game proceeded to the Double Dhamaka round, *Akshay Kumar* turned to Karan Wahi and asked, _“tu party karta hai?”_ Karan replied that he does sometimes. Akshay then continued jokingly, _“kitni baar din mein karta hai? Matlab main teko puch raha hoon, shaadi kab karega aur party kab dega?”_ Karan laughed and said he would do it, but only after his friend gets married first.
Akshay then asked if there was someone special in his life. Karan shared a funny story about trying to impress a girl using a pick-up line that unfortunately didn’t work. The line was, _“Samosa ke saath milti hai chutney, will you be my patni?”_
Karan revealed that the pick-up line was actually suggested by Maniesh Paul and jokingly blamed him for the rejection. Akshay quickly added, _“Waise main maan sakta hoon ki itni ghatiya line toh Maniesh hi de sakta hai.”_
Akshay then asked the audience who believed that the line was indeed given by Maniesh, and almost everyone in the audience raised their hands in agreement. Continuing the fun, Akshay asked the audience, _“Aap logon ne iski film dekhi hai, ‘Mickey Virus’?”_ He mentioned that he still remembers a pick-up line from the film that Maniesh considered romantic. Akshay then recited the line, _“Meri kismat se tu mujhe mili miss, mutual funds are subject to market risk.”_ The line had everyone in the audience laughing.
The fun didn’t stop there. Akshay then asked Karan, _“Hum tere liye koi ladki dekhe?”_ and turned to the audience asking if anyone would like to marry Karan. A girl in the audience named Hitanshi stood up and said that she has a huge crush on Karan Wahi and would do anything for him.
Akshay then challenged her to drink a giant glass of ‘ganne ka juice’ in one go, saying that if she completed the challenge, Karan would have to go shirtless. Hitanshi accepted the challenge and successfully finished the entire glass in one go, earning loud cheers from the audience.
As the challenge was completed, Akshay asked Karan to take off his shirt. Karan, feeling shy, tried to avoid it and said that instead he would give Hitanshi a hug. However, Akshay kept insisting, after which Karan finally gave a quick peek of his abs.
In the end, Hitanshi happily agreed to the hug instead, and Karan walked up to her and gave her a warm hug, making a memorable highlight of the episode.
Moments like these added to the lively atmosphere of the episode, blending humor, spontaneity, and audience participation. With Akshay Kumar’s quick wit and the contestants’ spirited responses, the episode delivered an engaging mix of entertainment and fun.
_*Watch Wheel of Fortune, Monday to Friday at 9 PM only on Sony Entertainment Television and stream on Sony LIV.*_
Thursday, March 12, 2026
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*Ayesha Khan Makes Akshay Kumar Do the ‘Shararat’ Hook Step, a Moment That Will Leave You in Aww!*
*XX March 2026, Mumbai:* This week, audiences will be thrilled to watch a fun-filled episode of *Wheel of Fortune* featuring special contestants *Gaurav Gera, Rakesh Bedi, and Ayesha Khan* who join the game alongside the show’s beloved host, *Akshay Kumar.* The episode promises plenty of laughter, surprises, and an unforgettable moment sparked by Ayesha Khan during the game.
During the Puzzle Round, Gaurav Gera successfully solved the puzzle, setting the stage for a playful moment on the show. Reacting to his win, Ayesha Khan lightened the mood with a mischievous remark, saying, _“Inka toh jhoom barabar jhoom ho gaya, main meri shararat karu?”_ as she asked host Akshay Kumar if she could dance. Responding with his trademark humour, Akshay Kumar laughed and said, _“Yeh pehli baar ho raha hai jab koi actor khud hi bol raha hai ki main apna dance karu… I like it!”_
Soon after, Ayesha took to the stage and delivered an energetic performance of the song *‘Shararat.’* Her spontaneous dance brought a lively burst of energy to the set, with the audience cheering and applauding throughout. Adding to the fun, Akshay Kumar also joined in and grooved along, making the moment even more entertaining and memorable.
The spontaneous dance performance turned into one of the highlights of the episode, with the audience breaking into applause. It was a delightful reminder that when it comes to entertainment, anything can happen on Wheel of Fortune.
*Watch Wheel of Fortune from Monday to Friday at 09:00 PM only on Sony Entertainment Television and Sony LIV.*
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*The Voice of Emotion: Moments When Shreya Ghoshal Melted Our Hearts*
Shreya Ghoshal is a name synonymous with emotion, striking chords as she mentors the contestants through their performances, leading by example. Her easy charm with the other judges and guests on Indian Idol, the beautiful way she corrects and adds her own touches to the songs and the maternal love she shows every contestant makes her someone who touches our hearts easily.
On her birthday, it’s only fair that we celebrate the timeless, effortless grace that the maestro brings to the Indian Idol stage with a collection of moments when she truly melted our hearts:
*When She Included Us All In The First Live Performance of ‘Morey Piya’*
Shreya Ghoshal has been an established industry icon for so long that it’s hard to believe that the artist once had her own beginning, with the legendary film _Devdas_ . Sharing the stage with the eminent *Jaspinder Narula* , she astounded the audience with the classical mastery of _‘Morey Piya’_ . Touching Jaspinder Narula’s feet at the end, Shreya Ghoshal reminded us all that no matter how far you get, you must remember your roots and idols.
*The Beautiful Way She Expressed Love for Ankita*
_‘Agar Tum Mil Jaao’_ is a track that requires immaculate control over notes to truly express the meaning behind the words, a talent that endeared contestant Ankita Pradhan to her. Gracing us with a performance, Shreya Ghoshal sang the song with flawless lyrical delivery. She brought notice to the technique that is required to sing something of that caliber, highlighting Ankita’s performance at the same time. This is another one of the moments that she charmed us by being a mentor that cares.
*The Time She Reminded Us of The Untapped Potential of Our Nation’s Girls*
Becoming an artist is a hard choice that requires intense courage. Women do not often get the right to choose their careers, but when they do, their light shines through brilliantly. Shreya Ghoshal resonated deeply with the sentiment of contestant Amritha Rajan expressing the need for financial independence for women in India, calling her a diamond after her performance of _‘Hai Rama’_ .
*Electrifying the Stage with Poonam Dhillon and Padmini Kolhapure*
The vibrance of _Pinga_ came to life when Shreya Ghoshal honoured Poonam Dhillon’s request to perform the song. Joyful female friendship was personified as the three women took to the stage, Shreya Ghoshal singing with masterful energy while *Poonam Dhillon* and *Padmini Kolhapure* danced playfully along.
*Leaving Us Speechless With Her Performance of ‘Saibo’*
Actor *Samir Soni* grabbed the opportunity to get his wish fulfilled, when he requested Shreya Ghoshal to sing a song that personifies romance to him. _‘Saibo’_ is a gentle song that addicts you to its calm, easy melody and Shreya Ghoshal mesmerized everyone when she hit the first note of the song. We deeply felt Samir Soni when he sang along the lyrics from his seat, contestant Diwakar easily joining in. Badshah filmed the moment on his phone, mentioning that he keeps these moments with him, and honestly, we can relate.
The Indian Idol stage sees many performances, but Shreya Ghoshal is someone who can make any atmosphere a concert with her vocals. She’s a picture of elegance made effortless, someone who charms with her humility and grace, while at the same time performing with the accuracy of the musical genius that she is. Her birthday is a celebration of everything she is, everything she stands for and the closest thing to perfection in musical mastery.
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