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*हरिद्वार के अनूठे गायक आशु सहगल की आवाज में संगीतकार एस पी सेन ने रिकार्ड किया गीत "अरे झुमका बाली रे"*

मुम्बई. उत्तराखंड का हरिद्वार केवल एक तीर्थ स्थल ही नहीं है, बल्कि अपनी संगीतमय लोक संस्कृति के लिए भी मशहूर है. यहाँ के कलाकारों और गायकों ने लोक संगीत को जिंदा रखते हुए सारी दुनिया में नाम रौशन किया है। इसी पावन धरती के गायक आशु सहगल अपनी अनूठी आवाज से संगीत जगत मे प्रवेश कर रहे हैं. संगीत के प्रति समर्पित कलाकार आशु सहगल की आवाज में एक प्यारा सा गीत मुम्बई के स्टूडियो प्रिया सारेगा में संगीतकार एस पी सेन ने रिकार्ड किया. इस म्युज़िक वीडियो का नाम है "अरे झुमका बाली रे" जिसे एस पी सेन ने लिखा भी है. गाने के निर्माता सोमपाल सहगल हैं. ये गाना जल्द ही मून मूवीज के यूट्यूब चैनल पर रिलीज किया जाएगा. उत्तराखंड हरिद्वार के गांव भारापूर भौंरी के रहने वाले आशु सहगल ने मीनू पंडित से संगीत सीखा और फ़िलहाल सुश्री करुणा चौहान से गायकी की बारीकियों को सीख रहे हैं. आशु हालांकि अभी बीए सेकंड ईयर में हैं और कॉलेज की पढ़ाई भी कर रहे हैं मगर गायकी के अपने जुनून को वह जिंदा रखे हुए हैं. मोहम्मद रफी, किशोर कुमार, कुमार शानू, उदित नारायण और अरिजीत सिंह को अपना पसन्दीदा गायक मानने वाले आशु सहगल ने इससे पहले फिल्म "मन से मन तक" का टाइटल गीत और एक एल्बम के लिए गीत गाया है. आगे वह एक और फिल्म के लिए गाने जा रहे हैं. उन्हें उनके पिताजी का बहुत सपोर्ट मिलता है. यही बात है कि इस गीत की रिकार्डिंग पर भी उनके पिता उनके साथ थे. गांव वाले भी उन्हें अच्छा सिंगर मानते हैं. बॉलीवुड के मशहूर संगीतकार एसपी सेन ने कहा कि आशु सहगल की आवाज में एक अलग अंदाज है. ये गीत बहुत अच्छा बन गया है जिसे उन्होंने बड़ी शिद्दत से गाया है. भविष्य में मैं उन्हें एक फिल्म के लिए भी गवाने जा रहा हूं. आशु सहगल ने संगीतकार एसपी सेन का आभार जताया जिन्होंने उन्हें इस प्रकार के गीत रेकार्ड करने का उन्हें अवसर प्रदान किया.

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From Pranav Sharma’s Punchlines to Musical Night by The 9Teen Band, and Rashmeet Kaur, AdVITya’26 Off to an Electrifying Start Sehore, MP, 27 February, 2026: AdVITya’26, one of Central India’s flagship techno-cultural college fest at VIT Bhopal, kicked off on February 26, drawing students into a carefully curated mix of technical rigour, gaming intensity and cultural expression. Day 1 opened on a high note of laughter and lived experience as stand-up comic Pranav Sharma took centre stage with Stand-Up Uncut. Mr. Sharma delivered a set that blended campus humour, social observations and relatable storytelling, setting the tone for a festival that refuses to stay within silos. The festival moved with pace and purpose across disciplines. The tech vertical led from the front, with TechTonic’26, Robo-Mania, Battle Bots, Chakravyuh: Vinash Protocol and Ultron: Learn and Crack pushing participants to code, strategise and build under pressure, while Cyber Carnival: Treasure Hunt, The Blackbox, Hawkathoon, and Rocket League layered logic with live arena energy. Gaming intensified the momentum through VITB Gamer’s Asylum 6.0, V-RCADE, Imposter Protocol, PLAY IT BIG – Ludo & Ladders and Rush Arena, turning the campus into a charged battleground where leaderboards mattered and teamwork defined outcomes. The entrepreneurial edge came alive at Finance Carnival: Deal or Dominate, demanding negotiation and sharp decision-making, while CTRL+LOL and EvolFEST opened space for wit and experimentation. Running parallel was a cultural showcase that refused to be an afterthought. Jhalak 26, Rang & Ruckus, Kavya Manch, Padharo Saa 3.0, Haryanvi Heat, Pandora’s House and Upside Down brought dance, poetry, regional pride and immersive storytelling into the spotlight, proving that at VIT Bhopal, innovation and expression thrive side by side. The crescendo, however, belonged to the music. The much-anticipated Rock A’Blast ignited the stage with raw band energy, building momentum toward the grand Artist Night on 26th February. The 9Teen Band arrived in striking pirate-inspired attire, instantly commanding attention before launching into a vibrant mash-up of old and new Bollywood favourites. Their signature style stitched nostalgia with contemporary beats, turning familiar melodies into high-voltage crowd anthems. It was playful, theatrical and tightly executed, with the audience singing along from the first hook to the final chorus. Rashmeet Kaur followed with unfiltered energy. Opening with the crowd-favourite Bajre Da Sitta, she set the tempo for a set packed with chartbusters that kept the campus on its feet. Her stage presence was effortless yet commanding, her vocals sharp and immersive. Together, the performances ensured Day 1 closed not quietly, but with a surge of rhythm that continues to echo across AdVITya’26. While the student competitions across genres roll over to Day 2 and beyond, the artist night on 27th February belongs to Rajasthani folk exponent Jasu Khan Bisu, who brings the desert’s rich musical legacy to VIT Bhopal. About VIT Bhopal University: VIT Bhopal University, a multidisciplinary university established in 2017 in Madhya Pradesh, carries the legacy of the Vellore Institute of Technology (VIT) group of institutions. Set on a 300-acre green campus, the university offers undergraduate, postgraduate, and doctoral programmes across engineering, management, sciences, and allied disciplines. The university features a 100 percent doctoral faculty and the CALTECH initiative, a unique technology-driven teaching–learning model that integrates industry practices, research exposure, and experiential learning. VIT Bhopal also runs the STARS programme (Support the Advancement of Rural Students), providing 100 percent free education, lodging, and boarding to meritorious students from rural backgrounds. With strong industry partnerships and a focus on outcome-based education, the university prepares future-ready graduates for a rapidly evolving world. For more information, please visit: https://vitbhopal.ac.in/

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*Javed Ali and Shannon K’s ‘Sanam’ Audio Out Now on Spotify; Music Video to Release on 1st March*

International pop artist Shannon K is all set to mesmerize audiences with her upcoming romantic single ‘Sanam’, featuring the soulful voice of Javed Ali. While the audio track is already streaming exclusively on Spotify and receiving an overwhelming response, the much-awaited official music video is slated to release on 1st March. Composed by the talented Sarbarish, ‘Sanam’ is a heartfelt melody that blends timeless romance with a contemporary sonic texture. Shannon K’s emotive and graceful vocals bring a refreshing sincerity to the track, beautifully complemented by Javed Ali’s deeply expressive tone. The collaboration brings together two distinctive voices, creating a musical experience that feels both nostalgic and modern. Sharing her thoughts, Shannon K says, “‘Sanam’ holds a very special place in my heart. It speaks about pure love and emotional honesty. Working with Javed Ali sir has been truly special, his voice carries so much soul. I’m excited for audiences to not just hear the song but also experience the story we’ve created visually.” With the audio already striking a chord with listeners on Spotify, anticipation is now building for the music video premiere on 1st March. ‘Sanam’ marks yet another milestone in Shannon K’s evolving musical journey, further solidifying her space as a versatile and globally resonant artist. The official music video of ‘Sanam’ will be unveiled on 1st March across digital platforms. https://open.spotify.com/track/2gaqGtjIFXVcEWeiR6Hfzg?si=NKzkwuaGSx6thjo_hd65oQ

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Kumbh Girl” Monalisa's The Diary of Manipur’ Faces Fresh Row; Complaint Filed at DN Nagar Police Station The controversy surrounding the upcoming film The Diary of Manipur, linked to “Kumbh Girl” Monalisa, has intensified after a formal written complaint was submitted at DN Nagar Police Station. The complaint has been filed by Ms. Chander Kala Singh, President of the Maharashtra State unit of the Global Christian Action Committee (Women), against filmmaker Sanoj Mishra, proprietor of M/s. Sanoj Mishra Films. In her complaint, she has alleged that the film’s content hurts Christian religious sentiments and promotes disharmony. As per the complaint, the accusations include deliberate and malicious acts intended to outrage religious feelings, insulting Christian beliefs, causing injury and insult to a place of worship, disturbing a religious assembly engaged in worship, uttering words intended to wound religious sentiments, and promoting enmity between different religious groups. The sections cited include 295, 295A, 296, 298, and 153A of the Bharatiya Nyaya Sanhita (BNS), 2023. In addition to filing the police complaint, Chander Kala Singh has reportedly demanded that the makers immediately remove the film’s teaser from YouTube, alleging that its content is objectionable and offensive to the Christian community. Responding to the allegations, director Sanoj Mishra termed the complaint an “indirect attack” by his rivals. In a statement, he said, “This is an indirect attack by my dushmans (enemies). We believe in the law of this country. We are now in talks with our legal team and will reply in a formal way.” Police officials have confirmed receipt of the complaint. As of now, no FIR has been publicly confirmed, and further inquiry is expected. The situation has sparked debate within film and social circles, with all eyes now on the legal course the matter may take.

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DailyObjects reports 2X Net Revenue Growth, Scaled to ₹320Crore ARR 27 February, New Delhi, India — DailyObjects, India’s design-led lifestyle tech brand, has crossed an Annual Revenue Run Rate (ARR) of ₹320 crore, marking a significant inflection point in its growth journey. The company has sustained approximately 100% year-on-year growth, evolving from a niche phone case maker into a comprehensive lifestyle tech brand. Founded in 2012 by Pankaj Garg and Saurav Adlakha, the company has scaled with notable capital efficiency, raising only about $12 million in total funding to date. DailyObjects remains on track to close FY26 EBITDA-positive, with projected net revenue between ₹230 crore+. “Crossing ₹320 crore ARR marks a significant milestone in our journey to build a globally relevant lifestyle tech brand from India. Our focus remains on creating differentiated products anchored in design, functionality, and intellectual property while scaling responsibly across channels. As we move toward EBITDA positivity and expand our retail footprint, we are confident of sustaining strong growth and expect to reach approximately ₹400 crore ARR by FY27.” Said, Pankaj Garg, Founder & CEO of DailyObjects Central to this growth is a design-first philosophy that drives functionality. The brand continues to deepen its core categories while ensuring products integrate seamlessly into everyday life across home, work, and travel. Its strong focus on intellectual property serves as the company’s primary moat, enabling differentiation and premium positioning in an increasingly competitive market. DailyObjects is strengthening its omni-channel presence while retaining control over the brand experience, with approximately 70% of sales driven through owned channels. Exclusive Brand Outlets (EBOs) are accretive from the start, the brand has Launched 5–6 EBOs in the last 6 months, contributing profitable to both top and bottom lines from Month 1. During the course of this year, the company plans to double its presence across Apple Authorised Reseller (APR) stores and Exclusive Brand Outlets (EBOs). The brand is also witnessing strong adoption beyond metros, with 35-40% of demand originating from Tier 3 and Tier 4 cities, underscoring the growing appetite for premium, design-led lifestyle tech among aspirational consumers across India. Looking ahead, DailyObjects will continue to scale through product innovation, retail expansion, and disciplined margin improvement as it enters its next phase of sustainable growth. About DailyObjects Founded in 2012, DailyObjects is a design-led lifestyle tech brand from India, creating functional, aesthetically refined products for everyday use across home, work, and travel. With all designs developed in-house and a strong focus on intellectual property, the brand delivers differentiated, premium offerings to customers nationwide through its digital platforms and expanding retail network.

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Kunwar Amar Returns to D3, This Time in a web series ‘Dil Dhokha aur Desire’ on ShemarooMe ~ The web series is streaming exclusively on ShemarooMe from 12th February 2026 ~ The original web series Dil Dhokha aur Desire, is streaming on ShemarooMe on 12th February 2026, marks a striking new chapter for Kunwar Amar as he steps into an intense world of emotional conflict and ambition. Kunwar Amar takes on the role of Shaurya, a young man shaped by big dreams, limited choices, and the consequences of decisions made during moments of emotional vulnerability. Rooted in realism and driven by inner turmoil, Shaurya’s journey reflects the struggles of a man constantly torn between his ideals and the situations that force his hand. Backed by intense physical preparation for the role and a narrative filled with twists, moral dilemmas, and shifting equations, Kunwar Amar’s portrayal brings raw vulnerability and quiet strength to the drama. The web series also stars Akanksha Chamola and Ali Hasan in pivotal roles. About his role, Kunwar Amar shares, “What drew me to Shaurya was his unpredictability, he is not entirely right or wrong, and that moral grey is what makes him real. He is a boxer who comes from a very ordinary background with extraordinarily big dreams, but life doesn’t give him easy choices. Circumstances trap him into situations he never wants to be in, and because he thinks from the heart before the brain, he often finds himself battling his own decisions, regretting them yet having no real alternative. That inner conflict is the soul of this character. Boxing has been a part of my fitness journey for a long time, so this role allowed me to showcase a different side of me beyond dancing and bring physical authenticity to the performance. This role allowed me to showcase a different side of me beyond dancing. My first association with ShemarooMe has been truly special, the trust, attention to detail, and support from the team made it easier to explore Shaurya’s emotional depth honestly. Dil Dhokha aur Desire has many surprises, and audiences will see me in a role they haven’t seen before.” Set against a world of complex equations and concealed agendas, Dil Dhokha aur Desire delves into the emotional cost of love and betrayal. Shaurya’s character plays a pivotal role in driving the narrative forward, adding layers of intensity and intrigue at every turn. Get ready to witness Kunwar Amar in a striking new role as Shaurya when Dil Dhokha aur Desire streams from 12th February 2026, exclusively on ShemarooMe.

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Trailer of 'Na Jaane Kaun Aa Gaya' Unveiled: A Soul-Stirring Tale of Love, Longing and Self-Discovery Trailer Out Now: 'Na Jaane Kaun Aa Gaya' Promises Intense Dialogues, Passionate Romance and a Visually Stunning Love Triangle The trailer of the much-anticipated Hindi feature film Na Jaane Kaun Aa Gaya is finally out, and it has already started creating buzz across platforms. Headlined by Jatin Sarna, Madhurima Roy and Pranay Pachauri, the film is directed by Vikas Arora and produced by Vipul Dhawan and Pooja Arora under the banner of Dhawan Films. The film is slated for a nationwide theatrical release on 6th March 2026. The trailer launch event was graced by lead actors Jatin Sarna, Madhurima Roy and Pranay Pachauri, along with producer Pooja Arora, co-producer Reet Arora and director Vikas Arora. Producer Vipul Dhawan sent his best wishes from abroad. The energy at the venue reflected the emotional intensity that the trailer promises. An attempt to understand modern relationships amidst a layered love triangle, the 2-minute 26-second trailer opens with a soulful background line: “Love is a wonderful feeling.” The initial frames introduce the tender chemistry between Jatin Sarna and Madhurima Roy, capturing the innocence and warmth of their romance through visually stunning sequences shot in the picturesque valleys of Uttarakhand. As the narrative unfolds, intense flashback moments introduce a mesmerizing element of the story — Pranay Pachauri’s character. His emotional depth and complicated bond with Madhurima Roy add a gripping layer to the storyline. The trailer smartly balances love and conflict, showcasing passionate romance, emotional confrontations, and sharp exchanges. Powerful dialogues stand out throughout the trailer, especially during the heated face-off between Jatin Sarna and Pranay Pachauri. One striking line towards the end resonates deeply: “There is a person who is complete… and the other is still trying to find himself.” The title track, rendered beautifully in the voice of Rekha Bhardwaj, elevates the emotional intensity of the trailer. Another song, Main Nahin Janta, plays during a pivotal moment, hinting at heartbreak and separation. Speaking at the launch, Jatin Sarna shared, "This film explores the vulnerability of love. My character is layered — he loves deeply but struggles with emotional completeness. I believe audiences will connect with that honesty." Madhurima Roy said,"It’s a story about choices and consequences in modern relationships. The chemistry you see in the trailer reflects the emotional journey we experienced while shooting in Uttarakhand." Pranay Pachauri added, "My character brings intensity and unpredictability to the narrative. It’s not just a love triangle — it’s about self-discovery and emotional conflict." Director Vikas Arora expressed, "Na Jaane Kaun Aa Gaya is an attempt to portray love beyond clichés. It’s about understanding yourself before understanding someone else. The scenic beauty of Uttarakhand became a silent character in the film." With powerful performances, emotionally charged dialogues, mesmerizing visuals, and a hauntingly beautiful title track, Na Jaane Kaun Aa Gaya promises to be a compelling romantic drama when it hits cinemas on 6th March 2026 Trailer Link : https://www.youtube.com/watch?v=5algvjaAhkM